Doors for all events open at 8:00 unless otherwise posted


March 2012:

Saturday March 03

30:LIVE and The Biltmore Present:
The Growlers
and Free City Collective

THE GROWLERS (Los Angeles)
Growing in stature, the Growlers journey to the land of Vancouver, bringing with them their free spirited love and new wave rock wisdom. Join us for their debut in Vancouver where we will party like 1999 has happened six more times.

FREE CITY COLLECTIVE (Vancouver)
Home grown 5 piece bring to the Biltmore stage a fresh act for 2012, with new recordings and a new blend of suburbian psych rock, their tracks will swiftly become the ongoing anthem for a British Columbian summer. This will be one for the annuals of Van music.

**Early Show** - curfew 11:00pm
Doors at 8:00pm
Tickets $13.00 (+ service charges) in advance at Zulu, Red Cat
Buy tickets online at: www.thegrowlers.eventbrite.com


Color Magazine & Antisocial presents
Glory Days
w/ My! Gay! Husband! and Sincerely Hana and Rico Uno

**Late Show!** - Doors 11:00pm
Cover price - $10.00
Free Skateboard Check at Coat Check courtesy of Color Magazine & Antisocial

Photos by Lindsay's Diet - Visuals by Marek & Kellen
11:00pm - 2:00am

For GLORY DAYS Large Party & Birthday Party Guestlist Requests pls msg
GLORY DAYS does NOT have an Open Guestlist but GLORY DAYS does have a Guestlist to accomodate large parties(10+over) wanting to attend GLORY DAYS.

GLORY DAYS is a weekly Saturday nite social at The Biltmore Cabaret that hosts local and internationally touring live bands and deejays.

Past guests have included Diplo - Metronomy - Fan Death - Ladyhawk - Amanda Blank - Jeremy Jay - No Age - Thunderheist - Ninjasonik - Juiceboxx - Totally Michael - Franki Chan - Circlesquare - Harlem Shakes - DJ Sega - DJ Gantman - DJ Skeet Skeet - The Cobrasnake - Rony's Photobooth and countless other amazing local and international acts and artists.
Doors 11pm unless otherwise posted.

Cover varies from $10.00 (with local bands and deejays) to $15.00 (with out of town bands and out of town deejays)

Glory Days Facebook Page

Glory Days Cartoon Trailer 1 by Ben Jacques www.facebook.com/video/video.php?v=46933888093&oid=40674305875
Glory Days Cartoon Trailer 2 by Ben Jacques www.facebook.com/video/video.php?v=161854320190&oid=40674305875


Sunday March 04

Kitty Nights
NYC Style Burlesque and Comedy hosted by Burgundy Brixx and The Purrrfessor. With DJ Teddy Smooth

Doors at 8:00pm - Show at 9:00pm
Tickets $7.00 at the door

For reservations for Kitty Nights please click here: www.kittynights.com/reservations.html
or e-mail directly to kittynights.rsvp@gmail.com


Monday March 05
Teenage Lifestyle
Garage//Punk//Psych//Post Punk//New Wave//60s+70s Rock
DJs Mo DiddleySkeletonsBig Cat
and Special Guests

Doors at 10:00pm - Tickets $5.00 at the door


Tuesday March 06
Live Nation Presents:
with guests Publish the Quest

Doors at 8:00pm Show at 9:00pm
Tickets $15.00 (+ service charges) in advance at Red Cat, Zulu, Highlife
Buy tickets online at: Rogers Wireless Box Office and www.livenation.com

Every year since her musical career took off in 2005, Afro-German warrior princess Nneka has built on her successes, stretched her muscles, and widened her range. Her debut album Victim of Truth (released in the UK in 2007), an inspirational mix of hot loops, black consciousness and 21st-century soul music - was garlanded with praise by the British media. ‘As good as The Miseducation of Lauryn Hill,’ said UK’s The Sunday Times.

Her sophomore release was every bit as lush and visionary as her first. A record where brains, beauty and beats collide No Longer At Ease made its mark across Europe and beyond. It’s a record that Lenny Kravitz and Lauryn Hill both heard and said: ‘I want this girl opening my show!’

Her first US release, Concrete Jungle, is a collection of songs that put the singer/songwriter at the forefront. This album is an offering of love, hope and optimism dedicated to the people of Warri & the Niger Delta of Nigeria. Holding it all together is the emotional focus of her beautiful voice, located in a place somewhere between yearning and rage.

While love, hope and optimism form the bedrock of all Nneka’s recorded work, there’s a steeliness to her new material, the engagement of a highly developed mind on some of the tough realities of modern politics – both personal and international. It takes no little courage – and insight – to write a song like ‘Africans’, which tells her people to stop blaming their colonial past for their problems and take responsibility for themselves. To then go back and sing it to packed houses in Nigeria – where the military rule with an iron fist - shows an extraordinary depth and strength of will. But that’s just what she did, making a triumphant return to her home country on tour with MTV-Award-winning Nigerian rapper 2-Face.

Yet, like the woman who wrote it, the song ‘Africans’ is not dry and hectoring – it’s a soft and elegant melody, a piece of music that doesn’t need to shout but instead seduces. Backed by the production of her longtime collaborator DJ Farhot, whose dubby soundworld she has inhabited since those early demo days in Hamburg, Nneka finds the perfect foil for the raw emotion that she brings to a vocal.

It’s a testament to the strength of Nneka’s talent that her success so far is based on word of mouth, on the quality of her albums and the intensity of her live performance. She is not a big-label product, forced down people’s throats by marketing dollars. Her audience now numbers hundreds of thousands across two continents, for Nneka now divides her time between homes in Lagos and Hamburg. Those listeners are people who have tracked her down, because there will always be a demand for music that does more than just entertain, but touches something universal. As she puts it herself: “I do it in a sweet way - but I sing to speak the truth.”


Wednesday March 07

Paul Anthony's TALENT TIME!
Vancouver's Favourite Comedy/Variety show. With DJ Teddy Smooth.
The 1st Wednesday of every month.
http://www.youtube.com/user/TalentTimeTV

Doors 8:00pm showtime 9:00pm
$8.00 at the door


Thursday March 08

The Biltmore Presents:
Sidney York
with guests Violent Ken and The Fortunate Isles

Doors at 8:00pm
Tickets $10.00 (+ service charges) in advance at Zulu, Red Cat, The Biltmore
Buy tickets online at: www.ticketweb.ca

Friday March 09

East Van Soul Club

Doors at 9:00pm
Tickets $7.00 at the door

The East Van Soul Club is both a two-man DJ crew (Jarrod "SlimRoy" O'Dell and Jonny "Jack Spang" Grayston) and also a vinyl-only monthly dance party, operated by these aforementioned soul obsessives. Sounds cover the spectrum of 60s soul regions and styles, blazing with Motown and Stax chart-toppers and raiding a decade full of criminally-unheard rarities with cuts out of New York, Philadelphia, Chicago, San Francisco, and everywhere inbetween. Tracks that you know will fuel the party, interspersed with floorfillers you've never heard before but can't possibly understand why not.

Join the Facebook group (http://www.facebook.com/groups/eastvansoulclub),
follow us on the Twitter (@EastVanSoulClub), and come see what everyone is talking about.

Second Friday of every month at The Biltmore Cabaret.


Saturday March 10

The Biltmore and BeatRoute Mag Present:
Blackout Beach and Apollo Ghosts

**Early Show** - curfew 11:00pm
Doors at 8:00pm
Tickets $7.00 (+ service charges) in advance at Zulu, Red Cat, The Biltmore,
Buy tickets online at: www.ticketweb.ca

Critical acclaim for Blackout Beach's latest record "Fuck Death":

Fuck Death is the first record of his that feels like a genuine meditation on the themes it explores. Instead of pummeling, it actually awards the listener with moments of pause, making its atmosphere that much more immersive. - Pitchfork

When are we going to realize that in Carey Mercer, North America has her sole living and deeply gasping genius? - Monday Magazine

Inspired by the equally provocative American contemporary painter Leon Golub’s painting of the same name and by his fascination with stories of war, Fuck Death, appropriately reflects both the sonic and thematic substance embedded within the album’s nine tracks. - Discorder Magazine (November Cover Artist)

A note from Carey about the album:
Fuck Death is a record named after a Leon Golub painting, an American painter I admire very much. The record is an attempt to make something about Beauty and War. I have very little experience with these concepts. This is not a political record, though I suspect those will be coming soon enough. It took three years to make, which, I admit, is a long time to make a record. Here are some influences and inspirations that helped me work through this one:

The Book of Job; Michael Herr's Dispatches; this Russian film called Come and See; 80's Vietnam films employing 60's guitar sounds to sweep us back into that era; the awesomeness of Platoon to the ten-year old mind; Orwell's Homage To Catalonia; Kraftwerk; Fuzz; Brownface Princeton tremolo; Wind sounds; Cosmic Sounds; Death Sounds; Archilochus' fragments; Iraq; Cheerleaders; Chinese soldier poems, and Shawn MacDonald's mountain photos, cloud-and-sky-and-stone images that I returned to many times while constructing the record.

The record is a sibling to the last Blackout Beach record, Skin of Evil. But the longing in Fuck Death is not romantic; these are deserter's songs, coward's songs. I am all for reassessing cowardice. The most important lyric on Fuck Death is "run away". It's a bit heavy, especially because the dominant 2011 story is that kids want to live on an invisible beach within their hearts and party this stuff away. But not all kids scorn uneasiness. And not all music is made for kids.

I recorded Fuck Death myself, which might be a 2011 thing to do; by that I mean that this record could not have been made with anyone else, anywhere else. I used three synthesizers (two mono, one poly), two drum machines, and one guitar amplifier. Megan Boddy sings with me on most of the songs. I thank her for that. -- Carey Mercer, Blackout Beach

Color Magazine & Antisocial presents
Glory Days
w/ My! Gay! Husband! and Sincerely Hana and Rico Uno

**Late Show!** - Doors 11:00pm
Cover price - $10.00
Free Skateboard Check at Coat Check courtesy of Color Magazine & Antisocial

Photos by Lindsay's Diet - Visuals by Marek & Kellen
11:00pm - 2:00am

For GLORY DAYS Large Party & Birthday Party Guestlist Requests pls msg
GLORY DAYS does NOT have an Open Guestlist but GLORY DAYS does have a Guestlist to accomodate large parties(10+over) wanting to attend GLORY DAYS.

GLORY DAYS is a weekly Saturday nite social at The Biltmore Cabaret that hosts local and internationally touring live bands and deejays.

Past guests have included Diplo - Metronomy - Fan Death - Ladyhawk - Amanda Blank - Jeremy Jay - No Age - Thunderheist - Ninjasonik - Juiceboxx - Totally Michael - Franki Chan - Circlesquare - Harlem Shakes - DJ Sega - DJ Gantman - DJ Skeet Skeet - The Cobrasnake - Rony's Photobooth and countless other amazing local and international acts and artists.
Doors 11pm unless otherwise posted.

Cover varies from $10.00 (with local bands and deejays) to $15.00 (with out of town bands and out of town deejays)

Glory Days Facebook Page

Glory Days Cartoon Trailer 1 by Ben Jacques www.facebook.com/video/video.php?v=46933888093&oid=40674305875
Glory Days Cartoon Trailer 2 by Ben Jacques www.facebook.com/video/video.php?v=161854320190&oid=40674305875


Sunday March 11

Kitty Nights
NYC Style Burlesque and Comedy hosted by Burgundy Brixx and The Purrrfessor. With DJ Teddy Smooth

Doors at 8:00pm - Show at 9:00pm
Tickets $7.00 at the door

For reservations for Kitty Nights please click here: www.kittynights.com/reservations.html
or e-mail directly to kittynights.rsvp@gmail.com


Tuesday March 13

Jameson's Bartenders' Ball
Private Event
By Invite Only


Thursday March 15

Clouds of Analog CD Release Party
with guests Red Vienna and Victoria

Doors at 8:00pm
$12.00 at the door, includes CD with entry
For advance tickets contact Matthew at 778-989-8252


Friday March 16

The Biltmore Presents:
Buckman Coe
with guests The Tailor

Buckman Coe. If he had a horse, he might be Samurai. But instead of waving a katana around, it would be an ukelele or a guitar. And he'd be singing down-home Americana, sun-sweetened folk and soul-drenched blues. You might ask yourself, "Who is this cheerful Mongol horseman?" because rather than crushing skulls with his bare hands he'd be squeezing a black accordion and soothing your soul with a voice purer than the look in his eye. There have been comparisons with Jeff Buckley, Ben Harper and Genghis Khan. But Buckman is more than the sum of his influences, and the musician slash yoga instructor is as interested in the health of the global consciousness and respect for the planet as he is a bunch of people getting together to listen to live music and dance.

**Early Show** - curfew 10:30pm
Doors at 8:00pm
Tickets $10.00 (+ service charges) in advance at Highlife, Red Cat, Zulu, The Biltmore
Buy tickets online at: www.ticketweb.ca

Ice Cream Social

You will dance. You won't be able to stop. I'm telling you. For real. The Ice Cream Social is a monthly dance party at the Biltmore featuring music from the 50's and 60's. Mostly the 60's.
With resident Disc Jockeys Cam Dales, Trevor Risk & Tyler Fedchuk.

http://www.facebook.com/group.php?gid=10310528929


**Late Show!** - Doors 11:00pm
Tickets $8.00 at the door


Saturday March 17

Timbre presents:
William Fitzsimmons
with Denison Witmer

American singer-songwriter, on tour to support his latest release "Gold In The Shadow"

**Early Show** - curfew 11:00pm
Doors at 8:00pm - Show at 8:30pm
Tickets $17.00 (+ service charges) in advance at Red Cat and Zulu Records
Buy tickets online at: www.northerntickets.com
Charge By Phone 604-569-1144 at Northern Tickets box office (Vogue Theatre 918 Granville Street)
William Fitzsimmons:
William Fitzsimmons is equal parts songwriter and psychotherapist, creating captivating music, which uniquely melds depravity, honesty, and autobiography into a counter-intuitive seamless whole. Since 2005, Fitzsimmons has created three full-length albums, each thoroughly themed and embossed with matters of family history, intimate disclosure, and bold confession, yielding rich folk music, ranging from the stark and acoustic to the voluminous and electronic. All the while reflecting William's commitment to addressing what is always pressing, and yet all too often ignored.

His first two albums, homemade and self-produced, were expositions on both his unorthodox upbringing and his family's disintegration during his youth. Their understated presentation and overt descriptions of relational and familial disillusionment met quickly and potently with listeners. Very soon thereafter, still working within psychology, William found his songs spreading broadly and being featured on national television programs. However, the process of such revelatory writing and rumination was taking a gradual and heavy toll. During the making of the Goodnight album, Fitzsimmons saw most of the segments of his life begin to tear asunder.

Fitzsimmons' third effort, 2008's The Sparrow and the Crow, was a detailed and afflictive retelling of the events surrounding his divorce from his wife of nearly ten years. Written as a personal apology to her, the album is a foreboding but genuine tale of misfortune and a reconciling of the darkest point of his life. It was named iTunes' Best Folk Album of that same year. Following the release of Sparrow, William would take a moratorium from songwriting for over two years.

Fitzsimmons' new release, Gold In The Shadow, is a musical reflection of the personal resuscitation and psychological renovation, which took place in the years following his divorce. Based on a specific set of psychopathological disorders from the Diagnostic and Statistical Manual of Mental Disorders IV (DSM-IV), he describes the songs as "a real and long coming confrontation with personal demons, past mistakes, and the specter of mental illness that has hovered over me for the great majority of my life." However, whereas nearly the whole of William's previous albums have dealt with the bleak and somber side of inter- and intrapersonal disaster, Gold is a work focused on healing. William continues: "I had reached the point where I was either going to yield to my sicknesses or engage them headlong. In either case, I could no longer continue the way I was."

Gold In The Shadow represents a welcomed musical departure, not from authenticity in writing, but in the field of focus. It is a return to his pre-music therapeutic passions, but with one eye now fixated on actual and optimistic change. It is ripe with personal elements, but also represents his first foray into external perspective taking; examining the lives and psychological struggles of those around him in addition to his own. It is an acknowledgment of the shadow self and the Todestrieb (Freud's "death instinct"); but, even still and more so, an acceptance of hope.


Color Magazine & Antisocial presents
Glory Days
w/ My! Gay! Husband! and Sincerely Hana and Rico Uno

**Late Show!** - Doors 11:00pm
Cover price - $10.00
Free Skateboard Check at Coat Check courtesy of Color Magazine & Antisocial

Photos by Lindsay's Diet - Visuals by Marek & Kellen
11:00pm - 2:00am

For GLORY DAYS Large Party & Birthday Party Guestlist Requests pls msg
GLORY DAYS does NOT have an Open Guestlist but GLORY DAYS does have a Guestlist to accomodate large parties(10+over) wanting to attend GLORY DAYS.

GLORY DAYS is a weekly Saturday nite social at The Biltmore Cabaret that hosts local and internationally touring live bands and deejays.

Past guests have included Diplo - Metronomy - Fan Death - Ladyhawk - Amanda Blank - Jeremy Jay - No Age - Thunderheist - Ninjasonik - Juiceboxx - Totally Michael - Franki Chan - Circlesquare - Harlem Shakes - DJ Sega - DJ Gantman - DJ Skeet Skeet - The Cobrasnake - Rony's Photobooth and countless other amazing local and international acts and artists.
Doors 11pm unless otherwise posted.

Cover varies from $10.00 (with local bands and deejays) to $15.00 (with out of town bands and out of town deejays)

Glory Days Facebook Page

Glory Days Cartoon Trailer 1 by Ben Jacques www.facebook.com/video/video.php?v=46933888093&oid=40674305875
Glory Days Cartoon Trailer 2 by Ben Jacques www.facebook.com/video/video.php?v=161854320190&oid=40674305875


Sunday March 18

Kitty Nights
NYC Style Burlesque and Comedy hosted by Burgundy Brixx and The Purrrfessor. With DJ Teddy Smooth

Doors at 8:00pm - Show at 9:00pm
Tickets $7.00 at the door

For reservations for Kitty Nights please click here: www.kittynights.com/reservations.html
or e-mail directly to kittynights.rsvp@gmail.com


Monday March 19
Teenage Lifestyle
Garage//Punk//Psych//Post Punk//New Wave//60s+70s Rock
DJs Mo DiddleySkeletonsBig Cat
and Special Guests

Doors at 10:00pm - Tickets $5.00 at the door


Tuesday March 20
The Biltmore Presents:
with The Relationship (Featuring Brian Bell of Weezer)

Doors at 8:00pm
Tickets $8.00 (+ service charges) in advance at Red Cat, Zulu and The Biltmore
Buy tickets online at: www.ticketweb.ca

The Rooney frontman revels in everything from energetic synths to smooth guitars, while cleverly commenting on life and love. Most importantly, the album supports an important cause as all profits from album sales will go to benefit the Tibetan Healing Fund. Double Capricorn is dance rock for the thinking man and so much more.

In between touring with Rooney, Schwartzman began penning ideas for a solo project in 2007. Over the years, those ideas evolved and morphed drastically. During early 2011, he was free from his past record label and reeling from a recent breakup all at once. So he hunkered down in his personal studio with a clear vision of what he wanted to achieve musically. That vision became Double Capricorn.

"I wanted to go for it and completely embrace the idea of a solo record without anyone else's input," Schwartzman declares. "There were no label obligations, and I felt completely free. I decided to take ownership over it and put my best foot forward with music I really believed in. It's a true solo album in the respect that I played and produced everything."


Wednesday March 21

Doors at 8:00pm
Tickets $12.00 (+ service charges) in advance at Zulu, Red Cat, The Biltmore
Buy tickets online at: www.ticketweb.ca

Tyler Bryant lives for music. Passionate about expressing himself and connecting with others through his songs and sounds, Tyler moved to Nashville from Honey Grove, TX when he was 17 to write songs and start a band. He has pushed the musical limits of guitar, vocals, and performance, and has captured the attention of the music scene with his spectacular talent and rare showmanship.

Tyler Bryant, currently 20 years old, is a guitar prodigy who has shared the stage with Aerosmith, Jeff Beck, Heart, REO Speedwagon, Paul Simon, BB King, Pat Benatar, The Arc Angels, Vince Gill and many others. At age 15, Tyler won the Robert Johnson Blues Foundation's New Generation Award, which recognized him as one of the most promising new artists on the music scene. He has also performed at Eric Clapton's Crossroads Guitar Festival in Chicago, and was signed by John Huie at Creative Artists Agency on the spot, after his first showcase in Nashville.

Tyler recalls a musical turning point at age 11, when he walked into a music store in Paris, Texas and heard 63-year old bluesman, Roosevelt Twitty, on guitar. “He was playing a Lightning Hopkins song,” Tyler says. “He was just sitting in the corner of Holly Bond’s Music store, and was singing and playing with such emotion that something translated deeply, and I wanted to understand. I knew I wanted to play. Whenever you hear someone with that much soul, when they really believe what they are playing, it’s so inspiring.”

Tyler’s musical influences include the inspirations of Tom Petty and the Heartbreakers, The Rolling Stones, Jimi Hendrix, The Black Crowes, and Jeff Beck.

Tyler, along with Beck, Santana, and Slash, is featured in the award winning film, “Rock Prophecies,” which is directed by John Chester, and produced by Tim Kaiser (Seinfeld and Will & Grace). “Rock Prophecies,” is now airing nationally on PBS and is available on DVD. Also, this past year, thousands of kid’s across the world have been playing Tyler’s song, “Who I Am,” since its release on Guitar Hero® 5.

Tyler has been busy recording and songwriting with some of Nashville’s best. He released his first EP, “My Radio” in March of 2011 and finished and released his most recent album, “From The Sandcastle,” in late September. He is currently writing songs for his next album, which he and his band will record in January 2012 with Bob Rock.

Tyler recently announced a new band name, Tyler Bryant & the Shakedown, as he wanted to recognize his band in everything he does. Tyler and the band embarked on their headlining tour this past summer and continued touring well into November. The band only paused for the month of October, while Tyler opened for Jeff Beck on his Canadian and US Tour. Tyler & the Shakedown are currently getting plans together for a big upcoming year, which will include tour dates all around North America and Europe. With a fearless obsession for his art, Tyler Bryant is advancing his music without limits.

“To be 18 and play like this kid is the rarest of the rare. Hands down a future guitar god.” –Vince Gill

Thursday March 22
Tiger Ping Pong Presents:
PING PONG CLUB NIGHT

Featuring:
Round-the-World Style Dance Floor Elimination Pong
Green Burrito Tape Cassette DJ's
Huge Ping Pong Prizes
Multiple Tables, Paddles & Balls Provided

Doors at 8:00pm
Tickets $5.00 at the door


Friday March 23

Sealed with a Kiss Presents:
White Rabbits
with guests

Doors at 8:00pm
Tickets $15.00 (+ service charges) in advance at Red Cat, Zulu
Buy tickets online at: www.ticketweb.ca


Saturday March 24

Timbre presents:
Sharon Van Etten and The War On Drugs

A co-headline show featuring:
SVE: Brooklyn-based singer-songwriter, on tour to support her Jagjaguwar debut release "Tramp".
TWOD: From Philadelphia, indie rock band on tour to support their latest Secretly Canadian release "Slave Ambient".


**Early Show** - curfew 11:00pm
Doors at 7:00pm - Show at 8:00pm
Tickets $15.00 (+ service charges) in advance at Red Cat and Zulu Records
Buy tickets online at: www.northerntickets.com
Charge By Phone 604-569-1144 at Northern Tickets box office (Vogue Theatre 918 Granville Street)

Color Magazine & Antisocial presents
Glory Days
w/ My! Gay! Husband! and Sincerely Hana and Rico Uno

**Late Show!** - Doors 11:00pm
Cover price - $10.00
Free Skateboard Check at Coat Check courtesy of Color Magazine & Antisocial

Photos by Lindsay's Diet - Visuals by Marek & Kellen
11:00pm - 2:00am

For GLORY DAYS Large Party & Birthday Party Guestlist Requests pls msg
GLORY DAYS does NOT have an Open Guestlist but GLORY DAYS does have a Guestlist to accomodate large parties(10+over) wanting to attend GLORY DAYS.

GLORY DAYS is a weekly Saturday nite social at The Biltmore Cabaret that hosts local and internationally touring live bands and deejays.

Past guests have included Diplo - Metronomy - Fan Death - Ladyhawk - Amanda Blank - Jeremy Jay - No Age - Thunderheist - Ninjasonik - Juiceboxx - Totally Michael - Franki Chan - Circlesquare - Harlem Shakes - DJ Sega - DJ Gantman - DJ Skeet Skeet - The Cobrasnake - Rony's Photobooth and countless other amazing local and international acts and artists.
Doors 11pm unless otherwise posted.

Cover varies from $10.00 (with local bands and deejays) to $15.00 (with out of town bands and out of town deejays)

Glory Days Facebook Page

Glory Days Cartoon Trailer 1 by Ben Jacques www.facebook.com/video/video.php?v=46933888093&oid=40674305875
Glory Days Cartoon Trailer 2 by Ben Jacques www.facebook.com/video/video.php?v=161854320190&oid=40674305875


Sunday March 25

Kitty Nights
NYC Style Burlesque and Comedy hosted by Burgundy Brixx and The Purrrfessor. With DJ Teddy Smooth

Doors at 8:00pm - Show at 9:00pm
Tickets $7.00 at the door

For reservations for Kitty Nights please click here: www.kittynights.com/reservations.html
or e-mail directly to kittynights.rsvp@gmail.com


Tuesday March 27
Live Nation Presents:
Bahamas 
with guests

Afie Jurvanen isn’t from the Bahamas. He’s a Finnish-Canadian from Barrie--a working class town in rural Ontario. But his chosen epithet is fitting. Since 2009 he’s been making music under the name Bahamas--writing songs about sunsets, love affairs, and making out with crooked smiles. Through simple arrangements, he charts an escape route from the snow belt to the coral reefs. His new album, Barchords, was released on February 7, 2012 to critical praise:

"Barchords is a gorgeous, full-bodied recording that revels in spare but intensely flavorful textures. It’s that delightfully rare kind of record that commands an instant replay." - Los Angeles Times

Doors at 8:00pm - Show at 9:00pm
Tickets $15.00 (+ service charges) in advance at Highlife, Red Cat, Zulu, Rogers Wireless
Tickets by phone at 1-888-222-6608
Buy tickets online at: LiveNation.com

Friday March 30

The Biltmore Presents:
Ladyhawk
with guests Baptists

Doors at 9:00pm
Tickets $12.00 (+ service charges) in advance at Zulu, Red Cat, The Biltmore, The River Vintage
Buy tickets online at: www.ticketweb.ca


Saturday March 31

The Biltmore and BeatRoute present:
John K Samson and the Provincial Band
with Shotgun Jimmie

**Early Show** - curfew 11:00pm
Doors at 7:00pm
Tickets $15.00 (+ service charges) in advance at Zulu, Red Cat, The River, Champion Jack's, The Biltmore,
Buy tickets online at: www.ticketweb.ca


JOHN K. SAMSON TO RELEASE NEW SOLO ALBUMPROVINCIAL 
Full Length Album From Weakerthans’ Frontman Out Jan 24th

John K. Samson, singer-songwriter for critically lauded indie rock band The Weakerthans, will release his first full length solo album, Provincial, thisJanuary 24th via Epitaph Records. The record contains newly recorded versions of songs from Samson’s previous two acclaimed EPs, “City Route 85” and “Provincial Road 222,” alongside a collection of beautifully evocative new tracks. Provincial is now available for pre-order at the Epitaph Store.

Provincial travels four routes woven into the prairie landscape of Manitoba, the Canadian province where Samson lives. It finds familiar landmarks and forgotten ones; it mines the precise and particular. For a video glimpse of Provincial’s prairie roadmap, go to: http://www.youtube.com/watch?v=RfqLrWMMPZ4

“Heart of the Continent,” describes the sense of loss and despair that haunts the former site of a Winnipeg landmark, set against a backdrop of lilting country folk. The melodic rocker “When I Write My Master’s Thesis,” details a young academic’s struggle to hold his life together as he tries to complete his research of a forgotten institution in tiny Ninette, Manitoba, while "www.ipetitions.com/petition/rivertonrifle/" is a song in the form of an online petition to honor the valiant hockey player Reggie “The Riverton Rifle” Leach.

They are hymns for the departed and rockers for the living, songs about dying villages, Icelandic longing, snowplows, broken glass, satellites, hockey skates, and staff room romances. In creating these sonic portraits, Samson talked to relatives, friends and strangers; he visited archives, a tuberculosis sanatorium turned RV Park and a forgotten cemetery. The resulting album contains 12 fierce, tuneful, vivid stories united by a deep sense of place.

The Weakerthans were born out of the Winnipeg-punk-scene. The group’s breakthrough album Reconstruction Site and its celebrated follow up Reunion Tour deftly merged a melodic punk with Bob Dylan-Ray Davies lyrical insights, earning a wider fan base and establishing Samson as a songwriter of immense talent. Paste Magazine wrote of Reunion Tour, “If such a prize existed, it would be the leading candidate for this year’s Punk Pulitzer.”


Color Magazine & Antisocial presents
Glory Days
w/ My! Gay! Husband! and Sincerely Hana and Rico Uno

**Late Show!** - Doors 11:00pm
Cover price - $10.00
Free Skateboard Check at Coat Check courtesy of Color Magazine & Antisocial

Photos by Lindsay's Diet - Visuals by Marek & Kellen
11:00pm - 2:00am

For GLORY DAYS Large Party & Birthday Party Guestlist Requests pls msg
GLORY DAYS does NOT have an Open Guestlist but GLORY DAYS does have a Guestlist to accomodate large parties(10+over) wanting to attend GLORY DAYS.

GLORY DAYS is a weekly Saturday nite social at The Biltmore Cabaret that hosts local and internationally touring live bands and deejays.

Past guests have included Diplo - Metronomy - Fan Death - Ladyhawk - Amanda Blank - Jeremy Jay - No Age - Thunderheist - Ninjasonik - Juiceboxx - Totally Michael - Franki Chan - Circlesquare - Harlem Shakes - DJ Sega - DJ Gantman - DJ Skeet Skeet - The Cobrasnake - Rony's Photobooth and countless other amazing local and international acts and artists.
Doors 11pm unless otherwise posted.

Cover varies from $10.00 (with local bands and deejays) to $15.00 (with out of town bands and out of town deejays)

Glory Days Facebook Page

Glory Days Cartoon Trailer 1 by Ben Jacques www.facebook.com/video/video.php?v=46933888093&oid=40674305875
Glory Days Cartoon Trailer 2 by Ben Jacques www.facebook.com/video/video.php?v=161854320190&oid=40674305875


April 2012:

Thursday April 05
The Biltmore Presents:
The Wedding Present (Performing 'Seamonsters' in its entirety)
with Pinky Piglets and guests

The Wedding Present will be touring in 2012 to promote their hugely anticipated eighth studio LP, their first for four years… but will also be playing their 1991 album ‘Seamonsters’ in full. ‘Seamonsters’ was their most successful album in North America… and the first to be recorded for them by Steve Albini (at Pachyderm Disc studios in Minnesota). North American audiences have been begging The Wedding Present to play this critically acclaimed album live ever since the band started their ‘classic album’ tours in 2007, so expectations are sky high.

Doors at 8:00pm
Tickets $16.00 (+ service charges) in advance at Zulu, Red Cat
Buy tickets online at: www.ticketweb.ca

 

Friday April 06

The Biltmore Presents:
Oberhofer
with guests Pond and Oh No! Yoko

2012 is shaping up to be a big year for Oberhof er. A nnounc ed t oday v ia S pin Magazine, the debut record by the Tacoma native, titled Time Capsules II, will be released on March 27th by Glassnote. This album is a bold and exciting statement for Brad Oberhofer, recorded in Brooklyn last fall with legendary producer Steve Lillywhite (U2, The Rolling Stones, Morrissey among others).
Oberhofer is hitting the road this spring and embarking on an extensive string of dates, with a confirmed appearance at Coachella

Doors at 8:00pm
Tickets $10.00 (+ service charges) in advance at Zulu, Red Cat, The Biltmore
Buy tickets online at: www.ticketweb.ca

 

Monday April 09

Live Nation Presents:
Fanfarlo
with guests Gardens and Villa

Doors at 8:00pm
Tickets $15.00 (+ service charges) in advance at Red Cat, Zulu, Highlife, Rogers Wireless
Buy tickets online at: livenation.com

Fanfarlo

Wednesday April 11

BeatRoute and The Biltmore Present:
Hanni El Khatib (Los Angeles, CA), Tijuana Panthers (Long Beach, CA)
and Hard Drugs (Vancouver)

Doors at 9:00pm - Show at 10:00pm
Tickets $15.00 (+ service charges) in advance at Scratch, Neptoon, Red Cat, Zulu, Audiopile and TicketZone
 
Hanni El Khatib:
Hanni grew up in San Franscisco, California. The son of Palestinian and Filipino immigrants and the first American in his family, he became obsessed with classic Americana and pop culture of the 1950s and 60s. Influenced by pioneers of early rock and r&b (Johnny Burnette, Sam Cooke, Johnny Cash), El Khatib created a musical aesthetic to match his vision. The multi-instrumentalist serves as singer, songwriter & producer for his one-man band (live he is joined by a drummer) that is part blues, part garage rock, part soul, part folk & part doo whop.

As the creative director for HUF and lifelong skater, El Khatib professes to a love for well-crafted objects: classsic cars, cans pomade and stiletto switchblades. This craftsmanship carries over into his music, where El Khatib is inspired and informed by the specificity of a guitar tone or the fuzziness of an amp sound . His background in DIY and skate culture manifests as a desire to “keep mistakes in” and make things “as raw as possible.” Merging primitive rock sounds with punk aesthetics, El Khatib toes lines between all genres and ends up firmly in his own.

His diverse interests in music, zines, art, photography, and film, converge around his singular personal aesthetic, which reveals itself in all of El Khatib’s work. Combining the old weird America with the brave new frontier of home recording, El Khatib bridges the past and the present to create music that already sounds timeless and were written for anyone who’s ever been shot or hit by a train.

Tijuana Panthers:
Long Beach's Tijuana Panthers play bounce-y punk that sounds a lot like what The Soft Pack are doing (they share a label with that band too; 1928 Recordings). If you know The Soft Pack, you know what you're in for with Tijuana Panthers. They've got some of that good jingle-jangle, mixed with some garage rock, and also a little bit of that rockabilly thing going on too. And don't forget a smattering of '60s sunshine pop. There's always the sunshine pop at play. It's all very pleasant to listen to, in that punk rock sort of way. Tijuana Panthers aren't dirty punks though. They're clean punks. Is that an oxymoron like jumbo shrimp or music writer?

Thursday April 12
The Vogue Presents:
The Wooden Sky
w/ special guests

Trying to nail down the disparate genres explored by the Wooden Sky isn’t an easy task. When pressed, the band tosses out tags like “folk rock”, but the words don’t hint at the nuances in their sound. Since 2003, the Toronto collective has been pushing the limits of folk and country, adding pieces of outside influence and slowly growing their own unique sonic aesthetic. It’s all led them to If I don’t come home you’ll know I’m gone, a massive undertaking that sweeps through rock and roll subgenres with the deftness of the Allman Brothers, the songwriting focus of Wilco, and the experimental sonic cacophony of the Flaming Lips. It’s a career-defining record, grown and built organically over months spent living, writing, and recording in cramped apartments between Toronto and Montreal.

Doors at 8:00pm
Tickets $15.00 (+ service charges) in advance at Zulu, Red Cat
Buy tickets online at: tickets.com

 

Saturday April 14

The Biltmore presents:
Bear in Heaven
with guests Doldrums and Blouse

**Early Show** - curfew 11:00pm
Doors at 8:00pm
Tickets $13.00 (+ service charges) in advance at
Buy tickets online at: www.ticketweb.ca

Bear In Heaven:
After months of testing their limits and trusting their instincts, Bear in Heaven will emerge in April 2012 with I Love You, It's Cool,an album so vivid and visionary that it meets and even exceeds the confidence and calm its title suggests.

In 2010, Beast Rest Forth Mouth delighted listeners with the unexpected-futuristic rock music that didn't sound alien or bound to ostracize. Taking these songs from coast to coast and continent to continent, they learned that having fun with this music was copacetic, that they could delight a crowd while defying musical binaries. I Love You, It's Cool turns that realization into a peerless set of instant anthems.

Indeed, some of these songs are ready for the floor. In one a perfect guitar figure spirals through colossal drums and slabs of synthesizers. Elsewhere bliss booms in icy keyboards reflecting off a relentless throb. It's inescapable. 
The intricacy and edge of Bear in Heaven's music is sharper than ever before. The programming is both complex and compelling, whether in the refracted rainbows or woven noisy matrices. Certainly, in places it feels like a hit, with hooks that instantly catch and bridges that curl a finger-lyrically, stylistically, temptingly-toward the dance floor. Bear In Heaven's mix of nostalgia and need is immediately relatable, too, bringing the band's exploratory sounds a little closer back to home before they exit in momentary space-rock ascendance, a readymade rock-club banger that erupts into a bold new direction.

I Love You, It's Cool is the first time Bear in Heaven has sounded so unapologetic and so evolved, so risky and so redeeming, so focused and so finessed. After years of restless exploration, this feels like a definitive arrival. I Love You, It's Cool is music written in the present tense but ready to speak to the future. The work is its own rarified reward

Doldrums:
Doldrums is a musical venture produced by Canadian artist Eric Woodhead. As a part of a larger community reacting to overhype, the plasticity of modern youth culture and it's ultimately alienating nature, his music deals with the loss of the individual in an increasingly altruistic society. Doldrums' music reflects this societal change on a personal level, as a member of the last generation to remember life pre-internet and 24 hour status updates. His androgynous voice comes across mid-panic attack, floating in a sea of chopped up samples, disembodied vocals and tribal percussion. Spearing between electro-hallucinogenic freak outs and languid nostalgia, his tracks somehow manage to elevate classic pop melodies above a sample saturated
sound collage.

The project began in 2010 by posting videos and designing websites by fictional bands under a variety of different band pseudonyms, 'Doldrums' being one of them, the name taken from a favorite children's book, Norton Juster 's 'The Phantom Tollbooth". He gained notoriety in his native Toronto through performances at Everlasting Super Joy, his studio and DIY venue, as well as involvement in flash parties in abandoned spaces. The year also saw the release of a number of 7"s including a split with DD/MM/YYYY and a VHS mixtape of his own music videos. Though now based out of Montreal his sound and attitude screams Toronto, where artists like Skrillax, Crystal Castles and Fucked Up are known for challenging existing ideologies about format and genre.

In 2011, after hearing his interpretation of their song 'Chase the Tear', Portishead announced they would release his song as the b-side to their single. At the same time, new tracks fell into the hands of cult London indie label No Pain In Pop, and were quickly confirmed for release as 'Empire Sound', his debut EP. The tracks are varied: combining the beautiful boudoir pop of contemporaries Atlas Sound, Panda Bear or How To Dress Well with Doldrums' own enthralling post-punk magpie tendencies, 'Endless Winter' hangs a widescreen chorus over a dewy eyed, sample-heavy backing; 'Tantrum', frazzled and scattered yet perfectly in tune with itself, is the perfect foil for Woodhead's tenor voice, and 'Lost In My Head', with its prominent use of Eric's 'voice
organ', stands as a frighteningly accurate self-diagnosis of his work as a whole—chaotic and yet inherently spectacular, a whole world for listeners to explore.

Doldrums' music is mostly influenced by friends such as DD/MM/YYYY and recent tourmate Grimes, and the references he makes to pop culture have a placed artificiality and unfamiliarity to them. Doldrums is emotionally vindicating sonic exploration—a fractured mirror image of what our post-internet culture has become.

Blouse:
B L O U S E is based out of a 6,000 square-foot warehouse in North Portland. The project started in the summer of 2010, after Los Angeles native Charlie Hilton met Patrick Adams in art school. They made a few home recordings and soon began spending nights at the warehouse recording with Jacob Portrait (Producer of Mint Chicks, Dandy Warhols, Starfucker). Having played music since their teens, the three found that there was something inexplicable in their coming together. After posting two demo tracks to Bandcamp’s website, the group was picked up by Captured Tracks out of Brooklyn, NY. A 7" single of Into Black was released at the end of March ’11 by Captured Tracks. Sub Pop Records will be releasing the second single for Shadow on May 31st.


Color Magazine & Antisocial presents
Glory Days
w/ My! Gay! Husband! and Sincerely Hana and Rico Uno

**Late Show!** - Doors 11:00pm
Cover price - $10.00
Free Skateboard Check at Coat Check courtesy of Color Magazine & Antisocial

Photos by Lindsay's Diet - Visuals by Marek & Kellen
11:00pm - 2:00am

For GLORY DAYS Large Party & Birthday Party Guestlist Requests pls msg
GLORY DAYS does NOT have an Open Guestlist but GLORY DAYS does have a Guestlist to accomodate large parties(10+over) wanting to attend GLORY DAYS.

GLORY DAYS is a weekly Saturday nite social at The Biltmore Cabaret that hosts local and internationally touring live bands and deejays.

Past guests have included Diplo - Metronomy - Fan Death - Ladyhawk - Amanda Blank - Jeremy Jay - No Age - Thunderheist - Ninjasonik - Juiceboxx - Totally Michael - Franki Chan - Circlesquare - Harlem Shakes - DJ Sega - DJ Gantman - DJ Skeet Skeet - The Cobrasnake - Rony's Photobooth and countless other amazing local and international acts and artists.
Doors 11pm unless otherwise posted.

Cover varies from $10.00 (with local bands and deejays) to $15.00 (with out of town bands and out of town deejays)

Glory Days Facebook Page

Glory Days Cartoon Trailer 1 by Ben Jacques www.facebook.com/video/video.php?v=46933888093&oid=40674305875
Glory Days Cartoon Trailer 2 by Ben Jacques www.facebook.com/video/video.php?v=161854320190&oid=40674305875


Wednesday April 18
The Biltmore Presents:
Perfume Genius
with guests

Doors at 8:00pm
Tickets $12.00 (+ service charges) in advance at Zulu, Red Cat, The Biltmore offsales
Buy tickets online at: www.ticketweb.ca

 

“Heartbreaking...a fragile, f***ed up little wonder” – NME

Extraordinary and genuinely haunting...a creativity that won’t stay cooped up for long” – Sunday Times Culture

“Magical...”Learning” is the bravest album of the year” – Clash

Perfume Genius is Mike Hadreas, a Seattle songwriter whose jarring 2010 debut album, Learning, was called “an album of rare, redemptive beauty…one of the most uniquely endearing and quietly forceful debut albums of recent years” by Drowned In Sound, and established him as one of the most singular songwriters today. The bulk of Learning sprung from a time of self-imposed isolation in his mother’s suburban home following a period of trauma and self-destruction. The album was actually mastered from second-generation MP3s, as Hadreas had lost the original recordings, and this distant, abraded sound reinforced its harrowing tales and haunting melodies.

“No secret/No matter how nasty/Can poison your voice/Or keep you from joy.” – Perfume Genius, “Normal Song”

Though Learning’s voyeuristic window into Hadreas’s experiences resonated intensely with many people, his new album Put Your Back N 2 It is much more universal, addressing intimacy, power, family, secrecy, and hope not just through his impressionistic lyrics, but the music itself, which is as lush as Learning was stark. It’s a gorgeous soundtrack for anyone trying to keep it together in everyday life, and about moving forward. “I don’t want it to seem like I’ve been through more than other people,” Hadreas says. “Everyone has stuff. Staying healthy can be more depressing and confusing than being fucked up. But I want to make music that’s honest and hopeful.”

The hypnotic songs on Put Your Back N 2 It are tender and moving, but they are also surreal and grand, recalling at times the universality of lullabies and hymns, faraway folk songs, the dramatic arc of a film score, and the almost spiritual quality suggests a kind of opiated gospel. He cites as a primary influence not one of the indie icons to which he’s sometimes compared (Cat Power, Bon Iver, Thom Yorke), but The Innocence Mission (“not their sound, but their timelessness”).


Thursday April 19

Timbre presents:
Horse Feathers
with special guests

Portland-based, indie folk band, on tour to support their latest release "Thistled Spring".

Doors at 8:00pm - Show at 9:30pm
Tickets $15.00 (+ service charges) in advance at Red Cat, Highlife and Zulu Records
Buy tickets online at: www.northerntickets.com, Charge By Phone 604-569-1144 and at the Northern Tickets box office (located at the Vogue Theatre 918 Granville Street).
 

Friday April 20

Timbre presents:
Caveman
with special guests

From Brooklyn, indie rock band on tour to support their debut release "CoCo Beware".

**Early Show** - curfew 10:30pm
Doors at 7:00pm - Show at 8:00pm
Tickets $13.00 (+ service charges) in advance at Red Cat, Highlife and Zulu Records
Buy tickets online at: www.northerntickets.com, Charge By Phone 604-569-1144 and at the Northern Tickets box office (located at the Vogue Theatre 918 Granville Street).
 

Saturday April 21

The Biltmore Presents:
Damien Jurado (Secretly Canadian Recording Artist)
with guests Peter Wolf Crier

**Early Show** - curfew 11:00pm
Doors at 8:00pm
Tickets $13.00 (+ service charges) in advance at Red Cat, Zulu, The River Vintage and The Biltmore Offsales
Buy tickets online at: www.ticketweb.ca

It's hard to find an entrance point into Damien Jurado's discography. You could start from the beginning, 1997's Waters Ave. S., but that record is filled with the sort of angsty, electric Pac NW indie-rock that is largely uncharacteristic of his catalogue as a whole. You could start with his first folk-leaning LP, 1999's Rehearsals for Departure, which has one of the best and most tender songs he's written, "Eyes For Windows", or 2002's comparatively upbeat I Break Chairs, but there's not much to make either stand out from the pack. If nothing else, Jurado has been oddly cursed by his own consistency.

Produced by the increasingly ubiquitous Richard Swift, Saint Bartlett, Jurado's ninth record is, finally, a striking departure. So much so that only the sound of his voice keeps you from thinking this could be the work of someone else. The change is noticeable right off the bat, announced by the lushly stringed baroque pop of "Cloudy Shoes", and it continues throughout, with meditations on 1950s girl-group balladry, thorny Neil Young-esque guitar rock, and cavernous chamber-pop.

Swift deserves a fair amount of credit for the reinvention that's on display here, and his ear for instrumentation does wonders for these songs. The woodblock percussion that backs "Arkansas" gives the tune a slight ramshackle bent, while Swift applies the perfect amount of guitar fuzz to turn "Wallingford" into a gentle stomper. Most impressively, the application of subtle space in "Kalama" lends a new gravitas to Jurado's voice, effectively making him bigger than his own sound.


Color Magazine & Antisocial presents
Glory Days
w/ My! Gay! Husband! and Sincerely Hana and Rico Uno

**Late Show!** - Doors 11:00pm
Cover price - $10.00
Free Skateboard Check at Coat Check courtesy of Color Magazine & Antisocial

Photos by Lindsay's Diet - Visuals by Marek & Kellen
11:00pm - 2:00am

For GLORY DAYS Large Party & Birthday Party Guestlist Requests pls msg
GLORY DAYS does NOT have an Open Guestlist but GLORY DAYS does have a Guestlist to accomodate large parties(10+over) wanting to attend GLORY DAYS.

GLORY DAYS is a weekly Saturday nite social at The Biltmore Cabaret that hosts local and internationally touring live bands and deejays.

Past guests have included Diplo - Metronomy - Fan Death - Ladyhawk - Amanda Blank - Jeremy Jay - No Age - Thunderheist - Ninjasonik - Juiceboxx - Totally Michael - Franki Chan - Circlesquare - Harlem Shakes - DJ Sega - DJ Gantman - DJ Skeet Skeet - The Cobrasnake - Rony's Photobooth and countless other amazing local and international acts and artists.
Doors 11pm unless otherwise posted.

Cover varies from $10.00 (with local bands and deejays) to $15.00 (with out of town bands and out of town deejays)

Glory Days Facebook Page

Glory Days Cartoon Trailer 1 by Ben Jacques www.facebook.com/video/video.php?v=46933888093&oid=40674305875
Glory Days Cartoon Trailer 2 by Ben Jacques www.facebook.com/video/video.php?v=161854320190&oid=40674305875


Tuesday April 24
Sealed With A Kiss Presents:
Frankie Rose
with Dive

Doors at 8:00pm
Tickets $12.00 (+ service charges) in advance at Ticketmaster, Red Cat, and Zulu Records
Buy tickets online at: www.ticketweb.ca

 


Friday April 27
Sealed With A Kiss Presents:
Tennis
with guests

Doors at 8:00pm
Tickets $15.00 (+ service charges) in advance at Ticketmaster, Red Cat, and Zulu Records
Buy tickets online at: www.ticketweb.ca

Tennis


May 2012:

Thursday May 10
The Biltmore Presents:
Sleepy Sun
with guests

Doors at 8:00pm
Tickets $13.00 (+ service charges) in advance at Zulu, Red Cat, The Biltmore, The River Vintage
Buy tickets online at: www.ticketweb.ca

 

The band of brothers known far and wide as Sleepy Sun don't sit stillfor long. Though they remain real and spiritual citizens of the Northern California hive that birthed the band in the latter half of the last decade, Sleepy Sun is a rambling band - a certifiably vagabond unit that built a reputation among American and European audiences as fine-tuned, ironclad locomotive and candy sweet heavy pop machine. Barnstorming the Great Plains....stealing afternoons from the unsuspecting on the European festival-go-round... hooking the uninitiated opening for the Arctic Monkeys, Black Angels, and Low Anthem, they've done yeoman's work, sparked the party, and made the music sound young again.

Sleepy Sun's miles, months, and days in the van are a tangible presence in Spine Hits, an LP of whimsy, restlessness, and urgency that leaps nimbly from landscape to landscape with ease, irreverence, and a catch-em-before-they-ain't changeling nature. For the most part, the sprawling Zeppelin-esque epics that defined much of Embrace and Fever have been traded in for a potent pop-compact framework. But never at the expense of the dodging, juking, and downshifting instincts that set their older long form pieces apart from a thousand other psychedelic drone warriors.

Recorded under the big skies of the California high desert with Queens of Stone Age and Eagles of Death Metal alumnus Dave Catching, the jams on Spine Hits are alternatingly precision whittled and moodily muscular. Matt Holliman and Evan Reiss' guitars adroitly move from steamroller heavy to beachside airy and bouncing to interstellar- tinkering with texture and dynamics like never before. Vocalist Bret Constantino sings with a road-toughened, husky soul yowl and hush that occasionally betrays a society-weary frustration but more often hints at a way out. The rhythm section of drummer Brian Tice and Jack Allen is a super-cohesive, tricky, and tough-as-hell unit that keeps the Sleepy train on track as it teeters, creeps and runs wild across the land.

Saturday May 12

Timbre Presents:
The Boxer Rebellion
with special guests Canon Blue

From London, indie rock band, on tour to support their latest release "The Cold Still".

**Early Show** - curfew 11:00pm
Doors at 7:00pm - Show at 8:00pm
Tickets $17.00 (+ service charges) in advance at Red Cat, Highlife and Zulu Records.
Buy tickets online at: www.northerntickets.com
Charge By Phone 604-569-1144 and at the Northern Tickets box office (located at the Vogue Theatre 918 Granville Street).


Color Magazine & Antisocial presents
Glory Days
w/ My! Gay! Husband! and Sincerely Hana and Rico Uno

**Late Show!** - Doors 11:00pm
Cover price - $10.00
Free Skateboard Check at Coat Check courtesy of Color Magazine & Antisocial

Photos by Lindsay's Diet - Visuals by Marek & Kellen
11:00pm - 2:00am

For GLORY DAYS Large Party & Birthday Party Guestlist Requests pls msg
GLORY DAYS does NOT have an Open Guestlist but GLORY DAYS does have a Guestlist to accomodate large parties(10+over) wanting to attend GLORY DAYS.

GLORY DAYS is a weekly Saturday nite social at The Biltmore Cabaret that hosts local and internationally touring live bands and deejays.

Past guests have included Diplo - Metronomy - Fan Death - Ladyhawk - Amanda Blank - Jeremy Jay - No Age - Thunderheist - Ninjasonik - Juiceboxx - Totally Michael - Franki Chan - Circlesquare - Harlem Shakes - DJ Sega - DJ Gantman - DJ Skeet Skeet - The Cobrasnake - Rony's Photobooth and countless other amazing local and international acts and artists.
Doors 11pm unless otherwise posted.

Cover varies from $10.00 (with local bands and deejays) to $15.00 (with out of town bands and out of town deejays)

Glory Days Facebook Page

Glory Days Cartoon Trailer 1 by Ben Jacques www.facebook.com/video/video.php?v=46933888093&oid=40674305875
Glory Days Cartoon Trailer 2 by Ben Jacques www.facebook.com/video/video.php?v=161854320190&oid=40674305875


Friday May 25

Timbre Presents:
Kurt Vile and The Violators
with special guests

From Philly, indie rock singer-songwriter, on tour to support his latest EP release: "So Outta Reach.

Doors at 8:00pm
Tickets $17.00 (+ service charges) in advance at Red Cat, Zulu
Buy tickets online at: Buy tickets online at: www.ticketweb.ca

 


Saturday May 26

Live Nation Presents:
Zeus
with guests

**Early Show** - curfew 11:00pm
Doors at 7:00pm
Tickets $15.00 (+ service charges) in advance at Highlife, Zulu, Red Cat, Rogers Wireless
Buy tickets online at: livenation.com


Zeus

Color Magazine & Antisocial presents
Glory Days
w/ My! Gay! Husband! and Sincerely Hana and Rico Uno

**Late Show!** - Doors 11:00pm
Cover price - $10.00
Free Skateboard Check at Coat Check courtesy of Color Magazine & Antisocial

Photos by Lindsay's Diet - Visuals by Marek & Kellen
11:00pm - 2:00am

For GLORY DAYS Large Party & Birthday Party Guestlist Requests pls msg
GLORY DAYS does NOT have an Open Guestlist but GLORY DAYS does have a Guestlist to accomodate large parties(10+over) wanting to attend GLORY DAYS.

GLORY DAYS is a weekly Saturday nite social at The Biltmore Cabaret that hosts local and internationally touring live bands and deejays.

Past guests have included Diplo - Metronomy - Fan Death - Ladyhawk - Amanda Blank - Jeremy Jay - No Age - Thunderheist - Ninjasonik - Juiceboxx - Totally Michael - Franki Chan - Circlesquare - Harlem Shakes - DJ Sega - DJ Gantman - DJ Skeet Skeet - The Cobrasnake - Rony's Photobooth and countless other amazing local and international acts and artists.
Doors 11pm unless otherwise posted.

Cover varies from $10.00 (with local bands and deejays) to $15.00 (with out of town bands and out of town deejays)

Glory Days Facebook Page

Glory Days Cartoon Trailer 1 by Ben Jacques www.facebook.com/video/video.php?v=46933888093&oid=40674305875
Glory Days Cartoon Trailer 2 by Ben Jacques www.facebook.com/video/video.php?v=161854320190&oid=40674305875


Monday May 28
with Special Guests Yamantaka//Sonic Titan
and Father Murphy

American experimental electronic-rock band, on tour to support their latest release "Always.".

Doors at 8:00pm
Tickets $16.00 (+ service charges) in advance at Red Cat, Zulu
Buy tickets online at: Buy tickets online at: www.ticketweb.ca

 


June 2012:

Saturday June 16

NightHeat and The Biltmore Present:
The Parlotones
with guests

**Early Show** - curfew 11:00pm
Doors at 8:00pm
Tickets $15.00 (+ service charges) in advance at Zulu, Red Cat
Buy tickets online at: nightheat.ca


Color Magazine & Antisocial presents
Glory Days
w/ My! Gay! Husband! and Sincerely Hana and Rico Uno

**Late Show!** - Doors 11:00pm
Cover price - $10.00
Free Skateboard Check at Coat Check courtesy of Color Magazine & Antisocial

Photos by Lindsay's Diet - Visuals by Marek & Kellen
11:00pm - 2:00am

For GLORY DAYS Large Party & Birthday Party Guestlist Requests pls msg
GLORY DAYS does NOT have an Open Guestlist but GLORY DAYS does have a Guestlist to accomodate large parties(10+over) wanting to attend GLORY DAYS.

GLORY DAYS is a weekly Saturday nite social at The Biltmore Cabaret that hosts local and internationally touring live bands and deejays.

Past guests have included Diplo - Metronomy - Fan Death - Ladyhawk - Amanda Blank - Jeremy Jay - No Age - Thunderheist - Ninjasonik - Juiceboxx - Totally Michael - Franki Chan - Circlesquare - Harlem Shakes - DJ Sega - DJ Gantman - DJ Skeet Skeet - The Cobrasnake - Rony's Photobooth and countless other amazing local and international acts and artists.
Doors 11pm unless otherwise posted.

Cover varies from $10.00 (with local bands and deejays) to $15.00 (with out of town bands and out of town deejays)

Glory Days Facebook Page

Glory Days Cartoon Trailer 1 by Ben Jacques www.facebook.com/video/video.php?v=46933888093&oid=40674305875
Glory Days Cartoon Trailer 2 by Ben Jacques www.facebook.com/video/video.php?v=161854320190&oid=40674305875

 





news - schedule - contact - posters
photos - links

Back To Top